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Image 1 of 1
Image 1 of 1
Image 1 of 1
I paint trees because they feel like companions rather than subjects. When I’m working, I’m not trying to describe what a tree looks like, I’m responding to how it feels to stand near one, to notice its quiet persistence, its generosity with shade, colour, and time.Colour leads the way for me. I let it carry mood, memory, and movement, allowing each tree to emerge slowly, intuitively. Some feel playful, others grounded or contemplative. None are fixed.
2025, Oil on canvas, Artwork size 30cm x 30cm, Framed size 34cm x 34cm
I paint trees because they feel like companions rather than subjects. When I’m working, I’m not trying to describe what a tree looks like, I’m responding to how it feels to stand near one, to notice its quiet persistence, its generosity with shade, colour, and time.Colour leads the way for me. I let it carry mood, memory, and movement, allowing each tree to emerge slowly, intuitively. Some feel playful, others grounded or contemplative. None are fixed.
2025, Oil on canvas, Artwork size 30cm x 30cm, Framed size 34cm x 34cm