SHELLEY ROSE
KIRSTI MATTHEWS
CHARLIE NOEL
ADRIENNE NORBURY
KRISTINA ALEXANDER
RAJINDER SINGH KHELA
VINCENT MATTHEWS
LOUISA CRISPIN
EMMA SALMON
JAIR NINO
LILIANA DOBBS
FRAN WHITE
ANDREA SHEARING
HELENA KOTNIK
SHELLEY ROSE KIRSTI MATTHEWS CHARLIE NOEL ADRIENNE NORBURY KRISTINA ALEXANDER RAJINDER SINGH KHELA VINCENT MATTHEWS LOUISA CRISPIN EMMA SALMON JAIR NINO LILIANA DOBBS FRAN WHITE ANDREA SHEARING HELENA KOTNIK
BLOOM — a moment in time, a season unfolding.
This exhibition captures the fleeting beauty of growth as it happens, bringing together fresh perspectives and the work of artists at a pivotal point in their creative journeys. Each work reflects a sense of arrival, of ideas just breaking through and beginning to take shape.
Andrea Shearing
This cave is based on Cathedral Cove in New Zealand which basically has a tunnel through it. My work is all based on location as I like to start creating a structure based on the environment. I choose my locations in relation to the inner meaning I want to express. On one side you look into the cave and the reverse side you are inside the cave looking out. It is a metaphor for the relationship we have with ourselves and the world.
Acrylic on MDF, Artwork size 61cm x 80cm x 15cm, Plinth 85cm x 20cm x 20cm
In this painting of the Cuckmere River by night, I have chosen to include the waning of the sickle moon. A crescent moon symbolizes the renewal, growth and change. I have tried to embue this famous landmark with personal meaning to encourage people to meditate on it and relate to their own journey of growth.
Acrylic on MDF, Artwork size 36cm x 39.5cm, signed
My mission as an artist is to alert people to the serious climate issues that we urgently need to take responsibility for. I want to inspire in people to wonder at the beauty of nature and educate them a about the balance between survival and destruction. A lot of art focuses on portraying the negative effects we are having on our planet. I fear this may have a depressing effect on people. I want to light their fire with an enthusiasm for positive action. I recognize this is a huge challenge for a humble artist! Sunset Ice Cave explores the juxtaposition of contrasts in nature. Sunset Ice
Cave sets out to alert people to the importance of the extreme temperatures that are occurring with climate change. The heat will melt the ice. There is a beautiful relationship between frozen water and the burning sun which must not be destroyed. A few years ago I won a solo exhibition in London on the theme of H2O. This is from the section on Frozen Water. As a compound H2O is crucial to our survival and also one of the most diverse substances there is hence my interest making people value it.
Acrylic on MDF, Artwork size 54cm x 122cm
Dancing on the South Downs was inspired by local environment of the South Downs in East Sussex. The nature of the landscape here is very distinct as the low hills fold into each other forming a patchwork of patterned fields. The light is particularly clear by the coast as it bounces off the nearby sea.
Acrylic on MDF, Artwork size 17cm x 82.5cm, signed
Balmer Down This painting is based on a detail of my 'Crossover' painting of a wider view of Balmer Down. The pattern of interlocking arcs is typical of the local landscape in East Sussex where I live. The palette is chosen to express the evening colours as the sun goes down. Balmer Downs is situated in the South Downs. Anyone who has walked the Downs appreciate that the sends of space that envelopes the downs can be a lonely place to walk. The sea air and the wind, the sight of the distant horizon as you reach the brow of a hill can invoke a sense of isolation and loneliness. But it is a magical experience and being reminded of how unimportant our individual place is on this planet can teach us that if we embrace nature we are no longer lost but part of a larger life force, there in is the poetry.
Acrylic on MDF, Artwork size 28cm x 54cm
Shelley Rose
An afternoon by the pool
Mixed Media, Artwork size 90cm x 90cm, Framed size 100cm x 100cm, frame timber, painted white
Pigment on gessoed canvas, Unique, Signed, Artwork size 18cm x 40cm, Framed size 26cm x 48cm, wood frame
Pigment on gessoed canvas, Signed, Unique, Artwork size 28cm x 35cm, Framed size 35cm x 42cm, Black wood frame
Pigment on gessoed canvas, Unique, Signed, Artwork size 18cm x 40cm, Framed size 26cm x 48cm
Mixed Media, Framed size 48cm x 41cm, Oden frame black with gold edge detail
Evocative meeting of a Melon and Mooli.
Framed in black timber frame with a copper slip detail, using non-reflective museum glass. Pigment on handmade paper.
Unique, Signed, Artwork size 25cm x 60cm, Framed size 36cm x 71cm
Pigment on handmade paper, Framed size 67cm x 54cm, Wooden frame, black with gold edge detail
Vincent Matthews
Oil con canvas, Wood frame graphite grey with Pewter front edge, Artwork size 35cm x 40cm x 2cm, Framed size 40cm x 45cm x 4cm
Surrealism. From imagination.
Oil on canvas, Wood frame graphite grey with pewter front edge, Artwork size 40cm x 35cm x 2cm, Framed size 45cm x 40cm x 4cm
Surrealism. From imagination.
Plein air sketch of the cottage next to the old lighthouse in Dungeness, used as reference for this drawing. When I started to add colour to my drawings.
Indian ink & watercolour, signed
Oil on canvas, frame is wood, graphite grey with white gold front edge, Artwork size 90cm h x 110cm w x 2cm d, Framed size 96cm h x 116cm w x 4cm d
Oil on canvas, Wood frame graphite grey with pewter front edge, Artwork size 35cm x 40cm x 2cm, Framed size 40cm x 45cm x 4cm
Surreal. From imagination.
“Produced from one of my Dungeness plein air sketches, when I was using colour from memory and imagination in my finished drawings”
Indian ink and watercolour, signed
46.5cm x 54.5cm x 1.5cm
“Using a plein air sketch produced at Rye Harbour, as reference. Whilst trying to sketch this a traffic queue built up for people going to the pub, instead of using the main car park. One car blocked my view, so I had to be patient. One of the common problems of sketching from life.”
Medium Indian ink, signed, unique, 43cm x 54.5cm x 1.5 cm
Oil on canvas, Wood frame graphite grey with pewter front edge, Artwork size 51cm x 61cm x 2cm, Framed size 56cm x 65cm x 4cm
Surrealism. From imagination.
Oil on canvas, Wood frame graphite grey with pewter front edge, Artwork size 51cm x 61cm x 2cm, Framed size 56cm x 65cm x 4cm
Surrealism. From imagination.
“During the lock down period, whilst cutting back and clearing areas of my garden, I found these old rusty little weeding forks, so I drew and painted them from observation. It was a phase in which I started adding colour to my art work.”
Indian ink & watercolour, signed, unique, Artwork size 43cm x 50.5cm x 2cm
Kristina Alexander
Mixed media, encaustic, silver metal leaf on wood board, Unique, Signed, Artwork size 40cm x 50cm
A small mushroom found in the Sierra Nevada mountains in California. Limited edition, digital print over gold metal leaf on birchwood canvas, 20.3cm x 20.3cm, Edition 1/12
2024, Edition 1/12, Signed, Mixed Media, Artwork size 20cm x 20cm x4cm
Kirsti Matthews
Her surface is textured like stone carved by time, bearing marks as though they are words in a forgotten tongue. Mneme is the vessel of knowledge — not the knowledge of books or monuments, but of cycles, seasons, and secrets too deep for language. She whispers: “I remember what was lost before remembering began. I am the keeper of echoes, the unspoken song of the ancients. Listen, and you will hear the truth beneath silence.”
Mneme is the guardian of wisdom: memory preserved not in text, but in being.
Stoneware with porcelain slip, glazes and oxides. Signed, Unique, Artwork size 24cm x 15cm x 15cm
Her form appears whole and graceful, yet her edges blur, as though she exists half in this world and half in another. Nyssa is the keeper of mystery — the unseen, the unmeasured, the unspoken. Her presence suggests both revelation and concealment, for she reminds us that not all truths are meant to be known at once.
She whispers: “I am the veil between the seen and unseen. To behold me is to stand at the edge of wonder. What is hidden is not lost — it waits.” Nyssa is mystery embodied: a threshold to what lies beyond understanding.
Stoneware with porcelain slip, glazes and oxides. Unique, Signed, Artwork size 25cm x 15cm x 15cm
Echoes of the First Mothers
Before the world was bound by time, there walked women of power — the First Mothers. They bore no crowns, yet they carried strength greater than kings. They wrote no books, yet their knowledge shaped the turning of the stars. They spoke no laws, yet their mysteries guided the flow of rivers, the growth of forests, and the birth of every generation.
When the ages shifted and their voices faded, their forms dissolved into earth and fire. What remains are fragments: torsos cracked open like ancient vessels, shoulders worn smooth by centuries, hollows where once their breath and song resided.
These figures, pulled from shadow into light, are not merely broken bodies. They are thresholds. They whisper that the ancient is not gone, but sleeping. Their scars speak of endurance, their silence of hidden wisdom, their stillness of unspoken strength.
We are the descendants of their mystery, yet also their ancestors. For when the far future unearths these forms, it is our own forgotten selves they are beholding. These are not relics of the past, but omens of the eternal — reminders that the feminine, though buried, is never lost.
1. Thaleia — The Enduring Flame
Her body is fractured, yet she does not fall. Thaleia carries the memory of fire — the strength that kindles survival through every storm. Her form is torn open, yet from the split emerges light, as if she contains within her the spark that cannot be extinguished.
She whispers: “I am the flame that endured when kingdoms turned to dust. I am resilience. You cannot break what was forged in fire.”
Thaleia is strength made flesh: a reminder that even in ruin, power remains. Stoneware with porcelain slip, glazes and oxides. Unique, Signed, Artwork size 35cm x 15cm x 15cm
Jonathan Hateley
Hand painted bronze mounted on an oak plinth and metal black plate, Timeframe for orders: 3-5 months, Edition of 9
Also available to order in Bronze Resin: Timeframe for bronze order: 2-3 months
Dimensions: H129 W60 D30 cm, H219cm incl. plinth (plinth only 89x18x18 cm)
Shipping not included - please contact Pure for a quotation
Hand painted bronze Resin mounted on an oak plinth and metal black plate, Timeframe for additional bronze resin orders: 2-3 months. Edition of 12
Also available to order in Bronze: Timeframe for bronze order: 3-5 months
Dimensions: H129 W60 D30 cm, H219cm incl. plinth (plinth only 89x18x18 cm)
Shipping not included - please contact Pure for a quotation
Hand painted bronze mounted on an oak plinth and metal black plate, Timeframe for bronze order: 3-5 months, Edition of 9
Also available to order in Bronze Resin, Timeframe 2-3 months
Dimensions: H180 (inc. plinth) W37 D21 cm
Shipping not included - please contact Pure for a quotation
Hand painted bronze Resin mounted on an oak plinth and metal black plate. Timeframe for additional bronze resin orders: 2-3 months. Edition of 12
Also available to order in Bronze, Edition of 9: Timeframe for bronze order: 3-5 months
Dimensions: H180 (inc. plinth) W37 D21 cm
Shipping not included - please contact Pure for a quotation
2024, Edition of 9, Hand painted bronze resin, H70cm x W52cm x D22cm, signed, approx 10kg, Made to order
Shipping not included - please contact Pure for a quotation
2024, Limited Edition 5/12, Hand painted bronze resin, H70cm x W52cm x D22cm, signed, approx 10kg, Made to order
Shipping not included - please contact Pure for a quotation
Hand painted Bronze, Edition of 9
Height 50cm , Width 34cm, Depth 20cm, (Above dimensions include granite base: W20 x D20 x H3cm)
weight approx 15kg incl. granite base
Shipping not included - please contact Pure for a quotation
Hand painted Bronze Resin, Edition of 12
Height 50cm , Width 34cm, Depth 20cm, (Above dimensions include granite base: W20 x D20 x H3cm)
weight approx 15kg incl. granite base
Shipping not included - please contact Pure for a quotation
Hand painted bronze, Edition of 9, Dimensions: H67cm W44 D10cm
This sculpture originated from an idea to do a bas-relief wall plaque, but in the style of my current flow of work. I didn’t have a visual idea though until the image of a patch of earth with spring growth came to mind, but that the earth was formed of a figure and merged with the area around. It was a sculpture that I really enjoyed sculpting as it presented a variation in my workflow, although the plaque idea was soon jettisoned in favour of a freestanding piece, still bas-relief, but the patch of land having the exposed earth on the other side.
Shipping not included - please contact Pure for a quotation
Hand painted bronze resin, Edition of 12, Dimensions: H67cm W44 D10cm
This sculpture originated from an idea to do a bas-relief wall plaque, but in the style of my current flow of work. I didn’t have a visual idea though until the image of a patch of earth with spring growth came to mind, but that the earth was formed of a figure and merged with the area around. It was a sculpture that I really enjoyed sculpting as it presented a variation in my workflow, although the plaque idea was soon jettisoned in favour of a freestanding piece, still bas-relief, but the patch of land having the exposed earth on the other side.
Shipping not included - please contact Pure for a quotation
Hand painted bronze on granite base, Timeframe for orders: 3-5 months, Edition of 9
Also available to order in Bronze resin: timeframe for bronze resin 2-3 months
Dimensions: H82 W15 D35 cm
Shipping not included - please contact Pure for a quotation
Hand painted bronze Resin on granite base, Timeframe for additional bronze resin orders: 2-3 months, Edition of 12
Also available to order in Bronze: Timeframe for bronze order: 3-5 months
Dimensions: H82 W15 D35 cm
Shipping not included - please contact Pure for a quotation
Jair Nino
In Sand, natural elements—leaves, clay, pigments—collaborate with shape, colour, and line to explore the dialogue between reality and perception. The work reflects life’s constant transformation and our emotional connection with nature.
Mixed media on canvas, Black pigment (non-toxic ecological iron oxide), pencil, locally collected leaves (dried and treated), natural clay filler, and ecological clay and graphite paint in white and brown tones. Unique, Signed, Artwork size 100cm x 100cm
Mint blends fresh greens and blues to spark feelings of renewal, harmony, and prosperity. Inspired by traditions from Ancient Egypt’s tomb offerings to Roman mint wreaths and Hebrew celebrations, it brings past symbolism into the present—woven with organic textures from leaves and thick, clay-rich brushstrokes.
Mixed media on canvas, organic pigments, leaves, charcoal and clay paint on canvas. Signed, Unique, Artwork size 80cm x 60cm
In this artwork, teal weaves through shades of black and white, a quiet celebration of individuality. A soothing mix of blue and green, teal holds rich symbolism—reflecting the boundless sea and sky for Tibetan monks, and representing faith and truth for Egyptians. A colour of balance, renewal, and subtle strength.
Mixed media on canvas, organic pigments, leaves, charcoal, and clay paint. Unique, Signed, Artwork size 80cm x 60cm
Helena Kotnik
On-tempo is a beautiful watercolour painting that captures the essence of finding your own rhythm in life. The artist uses fluid brushstrokes and a delicate balance of white and vibrant colour to depict a body in motion, surrounded by subtle floral elements. This conceptual piece evokes the feeling of being aligned with oneself, present in the moment, and moving to the beat of one’s own drum. It speaks to the idea of embracing life’s changes and adapting to its shifting tempos, rather than resisting them. Inspired by music, the artist encourages the viewer to listen, respond, and stay true to their inner self.
Pencil colours and watercolour, Artwork size 100cm x 70cm
Emma Salmon
Inspired by the Autumn sun and changing leaves, reflected offthe circling rooks as they pick over the newly turned and harvested fields, this piece features 58 individual hand sawn and impressed birds, soldered to back wires and flame painted to bring out an array of beautiful colours.
Copper, Unique, Artwork size 30cm x 30cm, Framed size 43cm x 33cm, Wood frame
Always on the lookout for Shiny Things, the cunning crow swoops down and steals away a teardrop peridot in his beak, excitement reflected in his glistening zircon green eye. Hand pierced in sterling silver, chased and repousse details, oxidised and stone set with precious gems. Mounted on a background painted with foraged and ground earth pigments - the Jewel Thief can be removed and worn as a piece of jewellery.
Silver, gemstones, and earth pigments, Unique, Artwork size 14cm x 14cm, Framed size 22cm x 22cm, Wood frame, open fronted
Fran White
Frosty continues an exploration into tree and negative shapes, combining an upcycled Linen roller blind, stitching and paint glued to a wooden board.
Acrylic paint & stitched on roller blind on board, Unique, Artwork size 59cm x 42cm, Wood frame
Chan Chan is inspired by a month's investigation into Negative Shapes. Acrylic paint was used on top of a previously used white cardboard.
Acrylic on white cardboard, Unique, Artwork size 40cm x 30cm, Wood frame
The inspiration for On The Huh is a combination of ongoing research into trees coupled with a recent months exploration of negative shapes.
Mixed media on up-cycled wood board, Unique, Artwork size 59cm x 42cm, Wood frame
Inspired by a month's investigation into negative shapes Silver Birch appeared on an up-cycled painting on canvas.
Acrylic on canvas, Unique, Artwork size 40cm x 30cm x 3cm
Louisa Crispin
An intricate observational study of Lichen growing on Gleditsia tree.
Graphite, Unique, Signed, Artwork size 19cm x 30cm, Framed size 50cm x 58cm x 4cm, Wood frame, black with gold detail, mount with silver slip
An intricate observational study of Lichen growing on Birch tree.
Graphite, Unique, Signed, Artwork size 15cm x 6cm, Framed size 50cm x 43cm x 4cm, Wood frame, black with gold detail, mount with silver slip
An intricate observational study of Lichen growing on Amelanchier canadensis.
Graphite, Unique, Signed, Artwork size 15cm x 6cm, Framed size 50cm x 43cm x 4cm, Wood frame, black with gold detail, mount with silver slip
An intricate observational study of Bracken as it decays through winter.
Graphite, Unique, Signed, Artwork size 25cm x 15cm, Framed size 62cm x 50cm x 4cm, Wood, black with gold detail, mount with silver slip
Liliana Dobbs
'All Dreams in One Place' is both a memory and a map — a layered record of a place I returned to often, in presence and in thought. It holds the echoes of familiar ground, where I once wandered and where my imagination leapt ahead to futures not yet lived. The work gathers those traces, binding recollection and longing into one expansive field of possibility.
Oil on stretched canvas, Unique, Signed, Artwork size 100cm x 100cm, Framed size 104cm x 104cm, White wood frame
Charlie Noel
Handmade glass poppy on glass and wooden base with copper stem. All Poppies are individual and each has unique qualities. Approximate height 25cm.
As the Autumn leaves fall like falling confetti in the blue sky. You see the leaves twist and turn and waving the summer goodbye.
Acrylic, Unique, Signed, Artwork size 80cm x 80cm
Rajinder Singh Khela
Oil on paper, Framed artwork size 91cm x 126cm